Used for a brief period of time live during the Golden Heart tour. This guitar actually belonged to David Knopfler, but Mark used it himself as a slide guitar for “Water of Love” in the early days. This is one of Mark’s most recent guitars. In 1977, Dire Straits recorded a five-song demo tape which included their future hit single, “Sultans of Swing”, as well as “Water of Love”, “Down to the Waterline”, “Wild West End” and David Knopfler’s “Sacred Loving”. The Dan Armstrong Orange Squeezer compressor – Did Mark Knopfler really use it? GroundGuitar is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Revolution® Biscuit Bridge Saddle. Mark’s amps were profiled at British Grove studios over a period of months, and then those profiles were refined during band rehearsals.” Those string gauges are particularly pertinent, since Knopfler had previously told Guitar Player that they affect the way he writes. In this post I want to present some detail photos of a National, a 1936 model that is very similar to Mark Knopfler’s – which seems to be probably from about 1937 to me. One of Mark Knopfler’s most famous guitars is surely his National Style-O (read “style – oh”). Mark Knopfler: "My playing has suffered from just being so preoccupied with writing songs over the years". National Style-O 1932 and 1936 – Double Power, Calling Elvis chord analysis – Major, minor, no-third, power chords. I know there are contrary examples : electric parts on PI and LOG, but not so many. Main difference between the two, beside the obvious one like the color, is the fact that his guitar features flat top and front-mounted humbucker. I think there was differents situations : – songs that were played on stage and rehearsals with rhythm / lead combination, and then split into 2 tracks in studio, as you said. Mark used the first Schecter on Making Movies album in 1980 after which it was stolen, and he used the second one up until around 1986 next to his red Schecter main just for the song “Tunnel of Love”. Mark used Talyn and Storm 33 models on the 2012 album Privateering, although they were used some time prior to the album as well. – Mesa Boogie Mark II Mark’s guitar is one of only 300 hundred Advanced Jumbos ever made, before they were replaced with now better known Gibson J-200 Super Jumbo. Mark’s maple Strat was taken apart in 1982 by John Suhr, who then noticed all these irregularities and replaced the original neck with a Schecter one-piece maple neck. He pursued a solo career after leaving the band in 1987. e.g. So Mark was likely misquoted or made a lapsus in saying he bought the guitar in the 70s, since most clues point towards 80s. J45, or a Southern Jumbo), Guild, and many more. It is supposedly the 59th Stratocaster ever made. When Mark Knopfler started with Dire Straits in 1977, he played two different Stratocasters. Mark uses this guitar extensively live, even more so than his other 1959 Les Paul (often considered the most desirable Les Paul model). I agree with the storage and handling of my data by this website as described in the Privacy Policy *, { I think the right channel rhythm guitar - Hal Lindes' that is, from 5:18... }, { I think mMoney for Nothin is played whith wah pedal on certain sweetspot and... }, { I believe the closest "Fender (or GM/DuPont)" color on the Schecter Tele is Dakota... }, { Have you got a homepage, Jeroen? This guitar was one of Mark’s main in the late 80s and early 90s – used extensively during the On Every Street tour. It was presumably one of the earliest models to feature sunburst finish – a design change from the usual gold-top finish introduced in July 1958. But now enjoy the slide show with a lot of pictures. Quick View. It also has only one knob, so that means that the EMG SPC gain boost wasn’t featured on the black Pensa-Suhr. Revolution® Biscuit Bridge Base. Mark’s first guitar was a £50 twin-pick-up Höfner Super Solid.During the 1960s, he formed and joined schoolboy bands and listened to singers like Elvis Presley and guitarists Chet Atkins, Scotty Moore, B.B King, Django Reinhardt, Hank Marvin, and James Burton. I had a metal Dobro guitar which I bought in the late 80ies, thinking that all metal resonator guitars should sound pretty much identical (and there was only Dobro who produced them at that time). This was Mark’s second most used Schecter during the 80s. He still owns this guitar and plays it live occasionally. November 25, 2020 9:12 He played this guitar Steve Phillips in The Duolian String Pickers band, before buying Steve’s Duolian. The guitar is finished in black, and features one single-coil “lipstick” pickup. The guitar was equipped with EMG 81 in the bridge, and EMG SA in the middle and neck position – all mounted from the back. This guitar was purchased sometime in early 80s at Rudy Music Stop in New York among couple of other more Schecters. This is the guitar on the cover of Brothers in Arms. Towards 1979 he started using this guitar more than the maple Strat, but in mid 80s he decided it was better to keep the guitar safe at his house for obvious sentimental reasons. Apparently the serial number of  the guitar is #90006, which would place the guitar among the first batch of ’59 Les Paul Flametop reissues made in 1983. This is one of Mark’s earliest guitars, predating his red 1961 Stratocaster. – Jim Kelley FACS heads – Crowther Audio Hotcake The guitar features blonde finish, archtop design, and two Alnico V pickups. Most of the time, David played his own parts, while Mark combinated his rhythm and lead parts. It was a present from a friend and there’s just something about it; it has a lot of character – very slatey, kind of dry, but a beautiful sound. The guitar features a lot less faded finish when compared to his 58 Les Paul, so the two can easily be easily distinguished if you know where to look. The first Schecter which was stolen had dot inlays on the neck, and the jack socket was on the front of the body, while the second one had no inlays and the jack plate was on the side. Mark’s ’59 Les Paul got to keep most of that original red finish, while his ’58 is almost completely free from it – except for that small patch of red around the toggle switch. Mark allegedly used this compressor on the first album for “Sultans of Swing”, although the compression might’ve been added after in the process of mixing. The switch was allegedly modified so that the middle would connect the pickups out of phase. The pickup in it are Schecter F500Ts, and the neck has no visible inlays. The model appears to be from early 60s, featuring white body finish, black “bat-wing” pickguard, and three pickups. National Reso-Phonic Guitars is open and crafting instruments, current wait times for new instruments is 6 - 8 months. AFAIK he bought this guitar from his buddy Steve Phillips long before Dire Straits, it was his second National (the first was a Tricone from the late 20ies which he bought from an old man in Wales). There’s of course a possibility that he owned two different red Schecter at that time, one of which had the original black pickups – but that’s just pure speculation. Mark used the guitar during the Golden Heart tour in 1996 on Father and Son and Golden Heart. It was Mark’s first Fender Stratocaster, most likely used on the demo tape of “Sultans of Swing” and quite possibly on the album version as well. John used mahogany as a basis for the body, one-piece carved maple as a top, and brazilian rosewood as a fretboard material. This guitar is called "Hard Rock" - the National Duolian steel guitar formerly owned by blues legend Booker White (aka Bukka White) which was later immortalised in the Eric Bibb song, "Booker's Guitar". This Stratocaster was bought sometime prior to Dire Straits first album released in 1978. The neck is extremely fat. Mark used it for recording “Monteleone” on the “Get Lucky” album. It has a V-shape with such a depth that many capos (e.g. The man behind Dire Straits has quite the knack for finger style guitar. – MXR Carbon Copy Analog Delay Let you know if youre interested. As it was for Hal Lindes on LOG, J.Sonni on BIA, or P.Palmer on OES. But on the very best material under the Knopfler/Dire Straits name the guitar was always a feature. But I think it was more the early period – songs that were composed with diffents parts played by Mark in studio, and then finding a combination of breaks / guitars changes on stage to play this differents parts by the same man. First Super 400 was built in 1934 and it was named after it’s price, $400 (around $7,000 in today’s value). The Private Investigations: Best Of Dire Straits & Mark Knopfler was branded to suit all parties before a very important release, All The Roadrunning (2006), a collaborative effort between Mark and the legendary country singer Emmylou Harris. In this video, Mark talks about the evolution of technique from strumming to fingerpicking. This guitar sounds fantastic. Mark played this guitar occasionally on the song “Money For Nothing” during the later part of Brothers in Arms tour in 1986. PROOF. Indeed, Mark plays bottleneck on it on Water of love, but he also play it on Wild west end : the rhythm part on left channel, while David plays strumming chords on the right channel. Mark’s Hofner was made in 1962, and it features red finish, celluloid strip fretboard inlays, and two type 510 “Diamond Logo” pickups. The video, uploaded by Mark Knopfler Russia, is a treat for anyone who loves guitars, and especially for fans of the Dire Straits guitarist. Mark on new Chris Barber CD. Mark would usually play this one for strumming using a pick, while he mostly fingerpicks on the previously mentioned Gibson Jumbo. Used on “Miss You Blue” and “Corned Beef City” on the 2012 album “. You all know about Mark Knopfler, right? I think it’s more during the 80’s, or nowadays others examples : Boom like that, this is us… Richard played just parts to “fill” the songs, but Mark play the “interesting” parts, and on stage, he prefers don’t have parts that could be played (even if it’s not exactly the same) by Richard, than let him play “his” parts. Mark’s Gibson ES-335 is finished in blonde, and features ABR-1 Tune-O-Matic bridge and two Gibson PAF pickups. The picture is taken on 4th December 2001 when Mark Knopfler opened the Department of Music at Newcastle University. March 2013 Ingo Mark Knopfler played a lot of different acoustic guitars in his career: different borrowed ones on the first Dire Straits albums (e.g. – Fender Twin Reverb The only over songs that I can check are Setting me up where David try to play a similar riff while Mark playing the solo, and on Southbound again, he also double Mark’s riff at the beginning. Tuners on it were Sperzels, and a Floyd Rose locking tremolo was installed – although Mark didn’t use it that much. AFAIK he bought this guitar from his buddy Steve Phillips long before Dire Straits, it was his second National (the first was a Tricone from the late 20ies which he bought from an old man in Wales). – Reinhardt Played live during Love over Gold tour on Private Investigations, and on Love over Gold. He started using it in the early 90s with Notting Hillbillies, and still plays it occasionally it nowadays. This is Mark’s second vintage Les Paul. – D’Addario EJ15/3D 10-47 – used on the National. It can be heard on songs such as “Boom Like That”, “Stand Up Guy”,  and “Don’t Crash the Ambulance”. The first National appeared in the 1920ies, at a time long before electric amplifiers were used for guitars. Basically Mark’s main go-to amp since the mid 90s. The Official Website of Mark Knopfler. When I first heard this guitar however, I immediately decided to sell the Dobro because it sounded miles away from this one. – Morley Volume Pedal He used this volume pedal in the early days, but now he’s using the Ernie Ball Volume Pedal. All I have is a video of me playing Romeo and Juliet on that National Style-O (read style-“Oh”, the letter not the number, see this article for some detail pictures of this guitar), but there are no instructions or explanation. The guitar features sitka spruce top, and Brazilian rosewood back and sides. He became known as the lead guitarist, singer and songwriter of the rock band Dire Straits. Mark Knopfler on guitars“Soundbreaking” documentary © 2016 Higher Ground LLC Almost everything on Mark’s guitar is kept stock, except for the tuners which were recently replaced with Klusons because the old ones started losing their structural integrity. As it said in M. Oldfield book’s, in the DS days, Mark was a bit “dictatorial” and I guess he allowed David to play “interesting” parts only if it was impossible to do another way, like on WWE. He ended up selling that guitar at an auction in 2004 and donated all the profits to Eric Clapton’s Crossroads Centre in Antigua. Mark Freuder Knopfler was born on 12 August 1949 in Glasgow, Scotland to an English mother and Hungarian Jewish father. C $1,024.35. (Dan). – Crate VC5212 boom like that), but not really “important” parts. And the funny thing is the last time he decided to do this way (for KTGC), it’s the only album where there’s no iconic rhythm part in Mark’s style. Only 150 of these guitar were made in the original run. At the time Mark was looking for a guitar to replace his ’62 Stratocaster, and apparently he was impressed with a Schecter guitar that his girlfriend owned at the time. Eventually the two became close and started playing together in local pubs under a stage name “The Duolian String Pickers”. The Official Website of Mark Knopfler. It was hugely popularized by Scotty Moore, who played a 1963 model in Elvis Presley’s stage performance, the ’68 Comeback Special. I think that Richard only play strummed chords that are not distinguely audible. Mark bought this guitar in 1978 from Steve Phillips, with whom he met in 1969 working as a journalist for The Yorkshire Evening Post. The guitar that we mentioned in the first paragraph that came after this one and featured almost identical design (therefore we included it here), was finished in 1996. The guitar was originally a Telecaster Thinline with body cavities, later modified by Mark’s friend Steve Phillips who filled in the f-holes and painted the whole thing black. The fingerboard is slightly curved what I prefer over the flat ones that were common a few years before. In the early days he went with the MXR Analog Delay, but nowadays he seems to be using TC Electronic 2290 rack delay. Water of Love was probably not this National, but Mark’s other one, a Tricone from the late 20ies/early 30ies. This guitar actually came before previously mentioned Pensa-Suhr, as Mark was seen using it during the studio session of “Let it be” with. The guitar does share a lot of similarities with the orange guitar, so it is highly possible that this model was used as a building ground. This is the guitar on the cover of Brothers in Arms. In 1987 Mark met with Rudy Pensa at a small coffee shop called “Prince’s” in New York. the rhythm part of Cleaning my gun, on the burn 12 strings (which is mimed by Richard on the video) is played by Mark. He notes that some parts seem to have been changed and gathered from different sources, hinting at a possible Part-caster. How to avoid RSI, carpal tunnel syndrome, wrist pain etc. What makes a National unique is not only the metal body but the resonator – something like a mechanical loudspeaker so to say. Very basic old-school fuzz seen on some of the more recent tours (post 2000). I guess that if RB would not have play on this album, no one would have heard the difference. This is one of Mark’s favorite acoustic guitars, at least according to an interview he gave to VintageGuitar.com. It was seen at couple of most memorable Dire Straits concert, including  Alchemy Live in 1983 and Live Aid in 1985. Is it in anyway modded to make it easier to play fingerpicking? Example can be heard all over “Brothers in Arms” fillers when played live. The instrument was prominently used in Dire Straits' 1980 hit "Romeo and Juliet". He fitted the guitar with a tortoise shell pickguard, and installed three Seymour Duncan Alnico pickups, and used an original Fender vintage-style tremolo bridge. E.g., on R&J, in studio it was obviously 2 differents parts, and differently composed. 1) Sultans of Swing (1978; Dire Straits) Taken from “Soundbreaking” documentary © 2016 Higher Ground LLCvk.com/markknopfler Mark used this guitar occasionally during the BiA tour in 1985/86, and kept using it during the On Every Street tour in the 90s. Mark is one of those guitarists who keep most of their effects in the rack during a live setting, meaning — he mostly lets his guitar tech take care of them. One of the world's most respected players on Down The Road Wherever, his love of cheap electrics and why he's thinking of taking guitar lessons. It had two standard Telecaster single-coil pickups and a mahogany body. The stumble-thumb fingerpicking of a National steel. when playing guitar extensively (part 1), Romeo and Juliet on National Style-O | Mark Knopfler Guitar / More Knowledge about the guitar, Modern Guitar Innovations – 1928 – Single Cone Biscuit Resonator Guitar | Dan Loves Guitars, Romeo and Juliet on National Style-O | Mark Knopfler Guitar Site, Gear on Dire Straits’ first TV appearance at Old Grey Whiste Test, The Schaller Floyd Rose tremolo on the Pensa Suhr MK-1, Building a Telecaster Dream Machine – Part 4 - Brass Hardware. It was put together by John Suhr who at the time worked at Rudy’s Music Stop in New York City doing mostly just guitar repairs. – Music Man HD130 If you rolled... }, { Hi Ingo! (at least nothing “fun” to play). Mark recieved this guitar sometime prior to the recording of. This model was made by Danelectro and sold under Silvertone brand. As a member of Dire Straits, and as a solo artist, Mark sold over 120 million records worldwide, and has won 4 Grammy Awards. Mark’s father bought this guitar for him in 1964 for 50£ when Mark was just 15 years old. Mark got this guitar from Paul Kennerly ( English singer-songwriter, producer) sometime in mid 90s. Mark used an 80s Les Paul Standard on the recording of. It can be seen a photo presented during a documentary dubbed Guitar Stories, where Mark talks about six guitar that helped him define his sound. Mark used this guitar first as a guest guitarist on Eric Clapton’s 1987 tour, and later on Vic and Ray 1996, and 1999 tour with Notting Hillbillies. Unfortunately photos that show the exact location of this button – is it near the neck plate or is the button held by one of the four neck screws – do […] – Fender Vibrolux Used for the entirety of the Brothers in Arms tour, by both Mark and Jack Sonni. It’s not clear when exactly he bought this guitar, but presumably it was around the same time as his other Les Paul – so mid to late 90s. +C $89.63 shipping. Mark’s Telecaster features one piece maple neck, ash body with Butterscotch Blonde finish, and two original Fender single-coil pickups. As you said on your “old” DS guitar page, the national is used on every album, and you quote one song per album. Contributors: C64x8, classichomes, gosselin.bruno, onlyforworldoft, J.Kelley. The body is brass (some other Nationals like the Duolians were steel), and the neck might be mahogany (not sure). It features light blue finish, Hipshot tremolo and tuners, and two. In the studio, most of the effects are added in the process of mixing and editing the tapes. According to John Suhr who at the time worked at Rudy’s Music Stop in New York, and who also introduced Mark to Jim Kelley amps, the amp was also used on the intro for “Money for Nothing” (Thanks to Jim Kelley for providing the info). The two discussed about a possible project – a guitar which would be a sort of a crossover between a Stratocaster and a Les Paul. I have a vintage 1937 National Style O-14 for sale. On one of Dire straits’ live versions of the song Knopfler can be seen playing his 1937 National Style O Resonator guitar. Mark bought this guitar in the 80s and first used it on the soundtrack album “Cal” released in 1984. National Style O. Mark’s guitar was built sometime in 1953 and featured slightly thicker top when compared to the earlier models to reduce feedback. After that he used it in the “Walk of Life” video, and kept using it from the point on while playing that same song live. I could never afford to buy one from the “classic years,” so I got a reissue in the ’70s, and I recorded things like “Brothers In Arms” and “Money for Nothing” with that one, and I toured with it. As far as I remember, Wild west end was one of the few songs where Mark “allowed” David to play live his rhythm part. Collecting it tomorrow. Used on “Brothers in Arms” and “Money For Nothing”. Mark usually keeps heavier strings on it – probably D’Addario .012s, and he most often uses an actual pick when he plays this particular guitar. If you’re looking for a similar sound through a pedal, Henretta Orange Whip Compressor would be a good start. Your email address will not be published. But on stage, he wanted to play both (and I understand this), so he added the synth parts to swapp the guitars in order to play the solo (the only time he did not this was in boothbay where RB played the solo) others examples : on skateway, it’s also 2 differents parts not composed in one way (like early period) but on stage, of course it was not “acceptable” that Mark played his rhythm style and let Hal take the lead. Mark used this guitar on Fade to Black and On Every Street from the 1991 album, and occasionally live on Your Latest Trick. Pre-Owned. This week was again a rather busy one, so not much time for the next article. Mark used this guitar for the recording of The Ragpicker’s Dream in 2002. Although considered by many to be the more desirable of the two, Mark actually uses his ’58 Les Paul more often than this one. The initial concept was to sell the guitar bundled with a case that has an amp built into it – therefore offering all-in-one solution. He think that although some of the parts on the guitar might be Japanese, that’s not necessarily the case for the guitar as a whole. Is one of the few rock guitarists to use a resonator guitar, a distinctive-sounding instrument that predates electric guitars. The guitar featured white finish on Schecter-made Stratocaster-style body, and a Schecter neck – shaped and styled after an original 1961 Fender Stratocaster neck. The guitar features blonde finish, archtop design, and two Alnico V pickups. my favourite the Shubb capo) do not open wide enough to be used here. This was all controlled with two knobs – a regular volume knob, and a EMG SPC push/pull knob which added the gain boost. GroundGuitar counts on your criticism and feedback. He is now an independent solo artist. Quick View. – Yes, two of them. December 12, 2020 2:13 Win Mark Knopfler’s Signed Stratocaster Guitar; December 1, 2020 8:05 Watch or Download: Dire Straits – Alchemy 1983 – Sky Arts TV Episode One; November 29, 2020 4:15 Mark Knopfler’s Red Tie Is On Auction!
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