But who is she? Muhly thought that Marnie would make a intriguing opera as well. (It was first seen last year in London for the work’s premiere at the English National Opera.) Produktion Michael Mayer. With his keen ear for unusual harmonies and eerily alluring sonorities, Mr. Muhly painstakingly tries to use his imagination — and his proven skill at orchestration — to flesh out Marnie’s inner life. So the composer Nico Muhly was smart to seize on Winston Graham’s 1961 novel “Marnie,” which inspired Alfred Hitchcock’s strangely stylized 1964 film, as an intriguing subject for an opera. Nico has built a reputation and fan base that stretch across traditional genre lines. Where has he been? by David Patrick Stearns, For The ... Nico Muhly’s music has been aptly compared to a six-lane highway on which all the cars are trying to switch lanes at the same time. Vereinigte Staaten | 2018. 2018 The Metropolitan Opera. In an interview during the Met Opera's 2018 Live in HD stream of the opera, Muhly said that he wrote the role of Marnie with mezzo-soprano Isabel Leonard in mind. Even so, the more this Marnie seems to reveal, the less you trust her voice. Nico Muhly was in New York on the day that Donald Trump was elected president. So the composer Nico Muhly was smart to seize on Winston Graham’s 1961 novel “Marnie,” which inspired Alfred Hitchcock’s strangely stylized 1964 film, as an intriguing subject for an opera. Kommentare . Komponist Nico Muhly präsentiert seine zweite neue Oper für die Metropolitan Opera mit der fesselnden Neuauflage von Winston Grahams Roman „Marnie“, der in den 50-er Jahren spielt und die Geschichte einer jungen, schönen, aber auch mysteriösen Frau erzählt, die verschiedene Persönlichkeiten annimmt. From Wikipedia, the free encyclopedia Nico Asher Muhly (/ ˈniːkoʊ ˈmjuːli /; born August 26, 1981) is an American contemporary classical music composer and arranger who has worked and recorded with both classical and pop musicians. Marnie, dressing for a business dinner, is in earshot of Mark as he describes coming upon a frightened deer in a meadow. After a poker game at his home, he corners Marnie, who threatens to slap him. Directed by Habib Azar. It examines the cost of freedom, the limitations of forgiveness and the impossibility of escaping the … January 26, 2019, 12:00 pm. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Despite this, the extended scenes when Marnie interacts with her employers, her sullen and secretive mother (the mezzo-soprano Denyce Graves, back at the Met after a dozen years, and riveting), and even Mark lack dramatic definition and depth. Check your local listings for details! The KT Wong Foundation supported his previous opera Two Boys, a co-production between Metropolitan Opera of New York and English National Opera. In this #MeToo cultural moment, the depicted behavior seems not a throwback to earlier times in gender relations but all too relevant. It’s little wonder Alfred Hitchcock was attracted to the book for his 1964 film – though he changed much. A visual feast, Marnie occasionally manages to elicit empathy from its unlikeable cast of characters, no small feat when the players are stealing, blackmailing, and making unwanted sexual advances. Isabel Leonard (seated) in the title role of Nico Muhly's "Marnie" with (l. to r.) MARNIE will be broadcast on PBS as part of the # GreatPerformancesPBS series February 1st at 9pm. Oddly, the tragic events of the hunt lead to a kind of liberation for Marnie.
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