[36] A composition by Adolphus Hailstork, "I Will Lift Up Mine Eyes," was created in 1989 to honor her memory. Ain’t Got Time to Die Hall Johnson. Contemporary Black Biography. 22 One small thing we can do as an organization today is amplify the amazing BIPOC voices and composers in our society. Moore learned to read music and even to attempt small composition exercises by the time she was eight or nine. Smith, Jessie Carney, ed., Notable Black American Women, Book I, Gale, 1992. Born in Jarratt, Va. in 1904, Moore moved to Peterbsurg at a young age. Encyclopedia.com gives you the ability to cite reference entries and articles according to common styles from the Modern Language Association (MLA), The Chicago Manual of Style, and the American Psychological Association (APA). [4], On 6 February 1989, aged 84, Undine Smith Moore suffered a stroke. ." Daniel, Daniel, Servant of the Lord, for chorus, 1952. Nationality : American Category : Famous Figures Last modified : 2012-01-03 Credited as : composer, "Scenes from the Life of a Martyr" , "Soweto" “The Black Composer Speaks: An Interview with Undine Smith Moore.”, Harris, Carl, and Undine Smith Moore. In a volume of The Choral Journal, Carl Harris analyzes Moore’s music as being influenced by “ragtime, blues, jazz, and gospel music.”[49] Moore herself, however, only acknowledged “black folk music and Bach as true influences.”[50] Of the philosophy of her music, Moore has stated: ...in retrospect, it seems I have often been concerned with aspiration, the emotional intensity associated with the life of black people as expressed in the various rites of the church and black life in general - the... desire for abundant, full expression as one might anticipate or expect from an oppressed people determined to survive. [30] Indiana University awarded her an honorary doctorate the following year. In addition to the MLA, Chicago, and APA styles, your school, university, publication, or institution may have its own requirements for citations. Retirement only increased Moore’s compositional productivity, and she composed prolifically until just before her death. Her mother was a voracious reader who stressed the importance of books and music lessons. Moore traveled to Africa in 1971 and 1972 and was deeply moved by her experiences there. [17], In 1938, Undine Smith married Dr. James Arthur Moore, the chair of the physical education department at Virginia State College. . [31] Moore’s contributions to music were recognized by the National Black Caucus, and in 1981 Moore was invited to deliver the keynote address at the first National Congress on Women in Music at New York University. Looking back at her years at Fisk University, Undine Smith Moore described her early compositions, especially her piano music, as having a general similarity to the music of Leopold Godowsky. Melina Jaharis, soprano. [60], ...all liberation is connected… as long as any segment of the society is oppressed… the whole society must suffer. Soweto, for violin, cello, and piano, 1987. Retirement only increased Moore’s compositional productivity, and she composed prolifically until just before her death. Afro-American Suite, for flute, cello, and piano, 1969. Sadie, Stanley, ed., The New Grove Dictionary of Music and Musicians, 2nd ed., Macmillan, 2001. Goldsboro Public Schools, supervisor of music, 1926-27; Virginia State University, associate professor of Music, 1927-72, professor Emerita, 1972-89; numerous visiting faculty appointments, 1972-89; prolific compositional activity in later life; composed choral work Lord, We Give Thanks to Thee for centennial of Fisk Jubilee Singers, 1971; completed cantata Scenes from the Life of a Martyr on life of Dr. Martin Luther King Jr., 1980; composed trio Soweto, 1987. Love, But A Day - Songs And Spirituals Of American Women", Stuart A. Then, copy and paste the text into your bibliography or works cited list. • Classical Mus…, Kay, Ulysses 1917–1995 Therefore, be sure to refer to those guidelines when editing your bibliography or works cited list. We’ve put together a list of some choral music created and performed by black composers and artists. Crucifixion Adolphus Hailstork. Watch Queue Queue Born on 25 August 1904 in Jarratt, Virginia, Undine Smith (1904–1989) was the youngest child of James William Smith and Hardie Turnbull Smith. Born Undine Smith on August 25, 1904, in Jarratt, Virginia; died on February 6, 1989; daughter of James William Smith, a railroad man, and Hattie (Turnbull) Smith; married James Arthur Moore, an educator; children: Mary, Education: Fisk University, BA and B.Mus., 1926; Columbia University, MA, 1931; further studies at Manhattan College of Music, Julliard School, Eastman College of Music. The Smiths’ lives were filled with music – whether at home or singing in church. [7] Of her childhood, Moore said that “above all else, music reigned.”[8], At age seven, Undine Smith Moore began taking piano lessons under Lillian Allen Darden, who later encouraged her to attend Fisk University, where she studied piano and organ with Alice M. Grass and theory with Sara Leight Laubenstein. Undine Smith Moore (1905-1989) Born in Jarratt, Virginia, and the granddaughter of slaves, “Undine Smith Moore graduated from Fisk University (1926) with highest honors and received a M.M. This video is unavailable. Awards: Certificate of Appreciation from John Lindsay, Mayor, New York City, 1972; Honorary Doctorate, Virginia State University, 1972; Honorary Doctorate, Indiana University, 1976; National Black Caucus Award, 1980. on one of the songs she had transcribed from her mother’s singing. Moore, the granddaughter of slaves, began studying piano at the age of seven with Lillian Allen Darden. [27] Moore taught various musicians including Camilla Williams, Leon Thompson, Billy Taylor, Phil Medley, and Robert Fryson. Floyd, Samuel, ed., International Dictionary of Black Composers, Fitzroy Dearborn, 1999. Encyclopedia.com. Composer and educator; Goldsboro Public Schools, Supervisor of Music, 1926-27; Virginia State University, Associate Professor of Music, 1927-72, Professor Emerita, 1972-89; numerous visiting faculty appointments, 1972-89; prolific compositional activity in later life; composed choral work Lord, We Give Thanks to Thee for centennial of Fisk Jubilee Singers, 1971; completed cantata Scenes from the Life of a Martyr on life of Dr. Martin Luther King Jr., 1980; composed trio Soweto, 1987. [61], Moore was a strong advocate for the promotion of black music and art: in her opinion, art could be used as “a powerful agent for social change.”[62] Moore was careful to point out that because of the social issues surrounding African-Americans, their music and art could be stereotyped:[63], I use the term black music to describe music created mainly by people who call themselves black, and whose compositions in their large or complete body show a frequent, if not preponderant, use of significant elements derived from the Afro-American heritage. Mus., 1926; Columbia University, M.A., 1931; further studies at Manhattan College of Music, Juilliard School, Eastman College of Music. Variations on NETTLETON---Undine Smith Moore I Am Bound For the Promised Land---Buckner Gamby My Jesus, I Love Thee---Phillip McIntyre. U.S. Moore) - YouTube [23] In 1972, the Black Music Center closed after Undine Smith Moore retired from Virginia State College. She rarely had the chance to think on a larger scale musically, but she did explore her African American heritage with a series of choral pieces based on spirituals in the 1930s and 1940s. After graduating from Juilliard, Moore became supervisor of music for the Goldsboro, North Carolina public school system. Moore was born August 25, 1904, in Jarratt, Virginia, in the state’s predominantly rural southern tier known among African Americans as “southside.” Her father was a railroad brakeman; her grandparents were slaves. ... shallwegather @perfectdaymusicfoundation @northwesternu @bienenschoolnu @northwesternoperatheatre Some tidbits about Undine Smith Moore—- “Her father was a railroad brakeman; her grandparents were slaves. "Composer and Master Teacher. Even as an undergraduate at Fisk, Moore had already begun to compose; her first known work was an ambitious choral piece, Sir Olafand the EH King’s Daughter, with a text based on Norwegian folklore. Therefore, that information is unavailable for most Encyclopedia.com content. After she finished her first year at Fisk, Moore’s father gave her a Steinway grand piano as a gift, and for a time she considered trying to become a concert pianist. [9] Moore turned down a scholarship to Petersburg’s Virginia Normal Institute in order to enroll at Fisk, a historically black college. "My mother loves music. Career: Composer and educator. [26] She continued her teaching career as a distinguished professor at Virginia Union University until 1976, meanwhile teaching at multiple colleges in Minnesota. Undine Smith Moore. After she finished her first year at Fisk, Moore’s father gave her a Steinway grand piano as a gift, and for a time she considered trying to become a concert pianist. Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia.com cannot guarantee each citation it generates. She married fellow Virginia State faculty member James Arthur Moore; the couple had a daughter, Mary, who became a dancer and educator. Education: Fisk University, B.A. In 1953, Moore composed the “powerful and dissonant” piano solo Before I’d be a Slave, “characterized by tone clusters, bitonality, and quartal harmonies”[41]—a significant step away from her tonal vocal writing. In 1926 Moore graduated at the top of her class with a dual degree that included studies in piano and music theory, and then decided to pursue a career in music education. [24] Moore traveled widely as a professor and lectured on black composers and also conducted workshops. Moore died in 1989. BLACK EXCELLENCE SERIES | Composer Undine Smith Moore. https://www.encyclopedia.com/education/news-wires-white-papers-and-books/moore-undine-smith-1904-1989, "Moore, Undine Smith 1904–1989 Moore was originally trained as a classical pianist, but developed a compositional output of mostly vocal music -- her preferred genre. Daniel, Daniel, Servant of the Lord (chorus), 1952. She went on to Columbia University Teachers’ College in New York, where she completed her masters in 1931, and also studied at the prestigious Julliard School, the Manhattan School of Music, and the Eastman School of Music. Many of her most popular compositions are for chorus, and draw in one way or another upon the settings of spirituals that she had absorbed during her years at Fisk. • Early African American Composers and Conductors 11 Mar. [46] Helen Walker-Hill, author of From Spirituals to Symphonies, writes that Moore’s compositional style was “freely tonal… sometimes strongly modal, often using twentieth-century techniques…, frequently using recitative… style, almost always strongly contrapuntal, and dominated by the black idiom.”[47] As for the influence of African-American traditional music, Walker-Hill writes: [Moore’s] ‘black idiom’ was the use of additive and syncopated rhythms, scale structures with gaps, call and response antiphony, rich timbres, melody influenced by rhythm, the frequent use of the interval of the third and, less frequently, fourths and fifths, nonhomophonic textures, and the ‘deliberate use of striking climax with almost unrestrained fullness.’[48]. . She married fellow Virginia State faculty member James Arthur Moore; the couple had a daughter, Mary, who became a dancer and educator. The work’s text, depicting scenes from the life of Dr. Martin Luther King Jr., was written by Moore herself, with interpolations from the Bible and from the works of poets of various different backgrounds. (March 11, 2021). Her music teacher back in Virginia had been a Fisk graduate, and so Moore immersed herself in the European classics that were the focus of the school’s music curriculum at the time. Encyclopedia.com. Disturbed by what she saw as a deteriorating knowledge of the history of black music among her students, Moore worked during her last years at Virginia State to establish the Black Music Center, a combination archive, research center, and performance-promotion organization. Moore began to think about ways of incorporating her African American heritage into her compositions, and when she moved back to Virginia she began to set down in musical notation some of the unique songs she had heard her mother sing in southside Virginia. Career: Composer and educator. • Black Musicians in Early America A professor of music at Virginia State University for more than 40 years, she numbered among her students the jazz pianist Billy Taylor and a host of others who became famous in their own ways. Winning a scholarship to Fisk University seemed to seal Moore’s choice of a music as her life’s work, for the musical traditions at that historically black institution ran deep. Contemporary Black Biography, Volume 28, Gale Group, 2001. degree at Columbia University. "Like everyone else able to hold a pen, I have been asked to do a large work on Martin Luther King." Composer, pianist Next, some music by Undine Smith Moore, who has been called the Dean of black women composers. Pick a style below, and copy the text for your bibliography. Most online reference entries and articles do not have page numbers. As an African American musical pioneer in the university setting, Undine Smith Moore inspired and influenced black musicians across the United States. Unusually successful for a contemporary composition, the work was published by Warner Bros, the following year and has remained in print ever since as a perennial favorite among college and community choirs. The family moved to Petersburg in 1908, and at age seven, Undine began piano lessons with Lillian Allen Darden. Contemporary Black Biography. Therefore, it’s best to use Encyclopedia.com citations as a starting point before checking the style against your school or publication’s requirements and the most-recent information available at these sites: http://www.chicagomanualofstyle.org/tools_citationguide.html. Moore’s early musical life combined formal education with African American musical roots. "Moore, Undine Smith 1904–1989 Watch Queue Queue. One of her last compositions was a trio for violin, cello, and piano called Soweto (1987); that highly complex work used the twelve-tone technique to explore the implications of an opening motif based on the rhythm of the name “Soweto.” The work had its roots in Moore’s responses to the South African apartheid system of racial segregation.” I did not choose the word. An accomplished and prolific classical music composer, George Walker has achieved many “firsts” in his career, mostl…, Robert Nathaniel Dett 04-21-20 Hampton Baptist Church Selected Music from Dr Belfield on Vimeo Daniel, Daniel, Servant Of The Lord (as Undine Smith Moore) Peoria Area Civic Chorale - 25th Anniversary Commemorative Recordings (Sing We Now Of Christmas & The Sounds Of Glory: Folk Songs, Spirituals And Hymns) ‎ (2xCD, Comp) Not On Label: none: US: 2007 She was the granddaughter of slaves. Undine Eliza Anna Smith Moore (25 August 1904 – 6 February 1989), the "Dean of Black Women Composers," was an American composer and professor of music in the twentieth century.
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